The Basics

Here is the basic concept as I see it:
  • A Community Handworks project deliberately and consciously REACHES OUT across one or more "division" in the geographic community - age, class, race, religion, income, etc.
  • It strives for more than one "win." By reaching out, we create or teach something that can then be used by or for something that will help something/someone else. The challenge is to PLAN for that WINNING CHAIN to continue as far and as long as possible. One person or group hands it off to another and another...
  • It involves HANDMADE processes. Handcrafted items are as essential as the face-to-face process of making them. The time and effort to create something imbues a meaning that should not be ignored.
  • It involves FACE-TO-FACE creation (folks gathering who might not otherwise have met) and ANONYMOUS DONATION (recipients given items handcrafted by anonymous members of the community). In this way, folks who participate in creativity sessions may get to know new folks, and recipients may be given the gift of privacy as well as the joy of knowing only that someone out there in the community gave time and effort to create the item.
  • Although selling or auctioning items to raise money for a cause is always a possibility, these activities tend to end a winning chain rather than continue it. Community Handworks projects should strive to add links before bringing money into the picture.
  • My ideal project would also include a handwritten journal that includes the handwriting of everyone involved in the chain. And this book should find a resting place somewhere that would be accessible later (not stuck at the back of a bookshelf of someone who happens to end the chain.) The journal itself becomes a handmade item with the potential of starting a new chain.
  • The creative process is always flexible. Plans for the winning chain of events will change along the way. But the intention to reach out and across should always be present.

It is entirely possible that many Community Handworks efforts may wither after the enthusiasm of the initiator fades away. I don't see that as a failure as long as some part of the plan is carried out. It is hard for a winning chain to continue between people who have lives to live. But the real challenge is to push that winning chain outward. By doing that, we reach across more and more peoples' experiences and knit more and more cohesion in the community.

An Imagined Example

A group of adult artists or crafty friends invites a similar group from 'across a divide' to make a small set of handmade objects from donated or found materials. They pass these objects on to a high school drama club in yet another part of town. The drama club writes an original children's theatre script inspired by the objects. They recruit another group to help them perform the play at a children's shelter or nursing home. The newly recruited group then takes over, and they lead the children (or seniors) in a craft activity inspired by the play. These new objects are donated to the cancer hospital. The original inspiration pieces can then be spun off to another group... And possibly the entire process can be documented by a photography or videography class. The images can then...

The point is to make use of creativity to benefit someone else AND to build community ties across groups of people who might not ordinarily interact. The point is not to bring these folks together to discuss difficult issues; rather, they come together via two things they have in common - being members of a geographic community and having an interest in being creative.

If anyone reading this has other ideas, please share them! I would especially love to hear from folks involved in fine art and performing art and from folks who work with so-called "harder" materials - wood, metal, etc.

Email me at communityhandworks yahoo.com (add the @).

How wonderful it is that nobody need wait a single minute before starting to improve the world.

-Anne Frank

Origin of the idea

A few years ago I moved to a house that could not accommodate my sofa. It was a good sofa, in decent shape for being 10 years old. I would have kept it, but it did not fit in my new living room. I tried to donate it to the local thrift stores. None would take the donation. I tried to donate it to shelters, halfway houses, upholstery shops. I tried to sell it. Nothing.

I started noticing upholstered furniture abandoned everywhere. Chairs and couches were along the sides of the roads. They were piled up outside the fences and parking lots of the thrift stores that told me not to bring mine. The landfills and dumps were overflowing with overstuffed furniture, most of which - I assumed - was in decent shape before landing in the dump.

I started dreaming up ways to save both the furniture and the landfill space. Consider: Conduct a training class in upholstery for folks who are struggling. Use the donated sofa as class project. Use donated fabric for the new covering, if possible. It's a win-win-win. Landfill saves space; I dispose of my sofa; sofa is used toward a good purpose; folks get trained in a new skill; and the newly upholstered sofa can be sold to help support the classes or donated to Habitat or transitional housing.

And that got me wondering how many winning links I could add. Would it be possible to extend the winning chain more broadly into the community? How far could a single chain extend?

So the challenge of Community Handworks is to design for your community a winning chain that is as long (or as branching) as possible. The goal of Community Handworks is to allow diverse members of your community to engage in creative handwork while also building a stronger sense of community.



As we walk across the Harbor Bridge/ We reach across the years/ We reach across our differences/ We reach across our fears/ We reach into the mystery/ As we seek to understand/ The meaning of our history/ We must each extend a hand
Chorus of a song about a march of reconciliation in Sydney, Australia
© 2000 John McCutcheon/Appalsongs (ASCAP)
From the CD “The Greatest Story Never Told” by John McCutcheon, Red House Records 2002